The Tragic Character Of Blanche Dubois Essay free essay sample

, Research Paper A Streetcar Named Desire To province the obvious, a tragic agent is one that is the topic of a tragic event or go oning. In A Streetcar Named Desire, Blanche Dubois is this agent. She experiences legion things, and has certain kineticss that solidify her tragic elements. Many litterateurs describe these elements and they give clear constructs of her tragic nature. Aristotle has written of many qualities one must hold in order to suit in the # 8220 ; tragic # 8221 ; class. First, Aristotle contends that a tragic agent must be # 8220 ; of the aristocracy # 8221 ; . Now this is non to state that Blanche is of a royal descent, although she acts like it, but it has been interpreted as # 8220 ; one who is of a baronial cause or purpose # 8221 ; . Contrary to the manner it seems Blanche enters her sister # 8217 ; s place with a selfish, but baronial action. She is at that place to # 8220 ; acquire back on her pess # 8221 ; , even though she doesn # 8217 ; t state her hosts this. This is one of the grounds she fits Aristotle # 8217 ; s description. Second, Blanche has the four parts of a tragic character that Aristotle lays out. She is good. Good in the sense that what she says and does is done with strong belief and careful pick. Blanche is appropriate. Her character exhibits the natural wants and demands of a adult female in her temperament. Besides, she is realistic. In stating she is realistic, it means that she, as a whole, is presented in a manner that is non incredible. Last, Blanche is consistent. Throughout the class of the drama, she continues toward the same end. Her consistent quality lies in her insatiate appetency for attending among other things. Aristotle # 8217 ; s 3rd point lies in Blanche # 8217 ; s # 8220 ; inevitable reversal # 8221 ; . Through the scenes, the witness learns of her bad repute as being slightly of a # 8220 ; slut # 8221 ; . Soon, one learns that she has come to her sister # 8217 ; s topographic point to get down f resh and rid herself of a foul life style. Her reversal comes when her sister # 8217 ; s hubby, Stanley, all of a sudden rapes her. Though all this clip Blanche sought a smooth and new sexual life style, she one time once more engages in a sexual aberrance. These three things are what make Aristotle # 8217 ; s tragic agent a truth in Tennessee Williams # 8217 ; drama. As if Blanche DuBois hadn # 8217 ; t embodied sufficiency of one # 8217 ; s thought of a tragic agent, Arthur Schopenhauer finds more qualities in her that farther the disposition that she was meant for calamity. Schopenhauer alludes to two chief thoughts that Blanche applies to. The first being that of desire. Desire brought Blanche to Elysian William claude dukenfields in two ways: literally on a tram named Desire, and conceptually as an flight from past horrors and the privation to seek a better life. Desire is the 1 frailty that Schopenhauer believes is the end-all be-all devastation of an agent. Equally long as one continues to hold desires, T hat agent will go on down his or her way of inevitable devastation. Which brings him to the following point: Resignation. Resignation is the act of â€Å"cutting off† all desires one might hold. It is a concluding action one completes when they wholly cleanse themselves of their greedy desires. Blanche does this in her last line, â€Å"Whoever you are – I have ever depended on the kindness of strangers.† In the last scene, Blanche has continued to gull herself and try to gull others by stating narratives of Shep Huntleigh coming to take her on a sail. She evidently has non resigned the fact that she has nowhere to travel, and her desire to set up a new repute has non disappeared. When she sees the doctor’s, she is relentless and refuses to travel. It is merely when the physician begins to walk her off from the place that she says her celebrated line, and therefore resigns from her old frailties. Many think that a surrender address must hold great drawn-out and prolixity to it, but in this instance, it is summed up briefly. In Arthur Miller # 8217 ; s sentiment, Blanche DuBois was merely every bit susceptible to a tragic terminal than anyone else. Miller believed that Aristotle # 8217 ; s thought of a character holding to be # 8220 ; of aristocracy # 8221 ; was an mistake. Furthermore, Miller # 8217 ; s position is that any common adult male or adult female, such as Blanche, is a victim of himself or herself, in that one # 8217 ; s repute and self-respect is what is the ultimate cause of their calamity. He goes on to state that every tragic character is seeking to procure them a topographic point in the universe. Their thought of rightfulness and personal self-respect is what encases their tragic nature. Basically, Arthur Miller wrote his a position down harmonizing to what he believed was a misconception by Aristotle. Blanche so had these two features. She was a common adult female, of no particular or royal heritage. She besides was driven to Elysian William claude dukenfields in order to procur e herself some new repute, so that she could walk with some self-respect. In my personal sentiment, I felt that Schopenhauer had the clearest description of Blanche # 8217 ; s character. The sarcasm of the rubric in comparing with Schopenhauer # 8217 ; s thought of desire being a load was excessively great for me to disregard. I think Williams chose his words really carefully, and he named that tram Desire for a ground. In this sense, Schopenhauer seems to hold the most accurate position on this drama. If I were making the drama, particular attending would be brought to Blanche # 8217 ; s changeless ignorance of her grounds for sing. I think this would be helpful in understanding her secret desires and would finally lend to the overall apprehension of her enigma. I besides find great importance in her last line, as said before, and would do certain that the witness understood that Blanche DuBois had eventually changed.